![]() They force viewers to see them with a certain lightness. His solo exhibition at Karin Weber Gallery entitled ‘Stalker’ highlights these works, showcasing Liu Feng’s world of prowlers and chance meetings that mingle with the aforementioned surrealist tendencies through the mundane and dreamscapes.įantastical and poetic with their evocative sceneries and objects, Liu Feng’s works are also highly figurative and personal. Often shown with a coastal backdrop, his subjects are active, jovial and outgoing, yet with hardly any facial representation. Liu Feng’s figures exude the surrealist feels of Rene Magritte’s. Here on The Artling, we see how artists have successfully executed this, merging themes and techniques across a variety of ways to keep figurative art alive today: Like many others in the contemporary art world, figurative art has teamed up with other genres such as abstract, cubist and even minimalist art whilst still withholding a strong sense of figuration. These versatile illusionary characteristics, abstractive interpretation of figurative art, together with the invention of photography, has allowed for the genre to include multiplicities of definitions.įast-forwarding to art-making today, we notice that figurative works still have a stronghold in our contemporary sphere. Famous abstract expressionist artists such as Mark Rothko and Joan Miro also have contested that “any residual presence of the figure, no matter how abstracted, can be constituted as figuration”. Over some periods, there were some figurative artists who aimed to create images that extended from what was real, thereby inventing illusionary effects. However, arguments have been made across the evolution of figurative art. It is regarded as what contrasts abstract art - art that does not employ recognizable motifs - also known as non-representational art. Traditionally, figurative artist strove to create works that were derived from real object sources and often depicted human figures. They allude to the traditional narrative elements of illustration while fully satisfying a more developed sensibility as independent works open to broader interpretation.Figurative art is the art of realistic representation and has been the goal of art-making since ancient times. ![]() The mixed media paintings in this exhibition focus on large obscured figures with textual inclusions. For the past three years Hussey has refocused his creative energies on his paintings, which have been featured in numerous group and solo exhibitions throughout the U.S. ![]() Hussey received the “Top 20 Images of the Year” award from American Illustration/2001. While maintaining his illustration/painting career, in 1994 he began art directing for magazines Musician, GQ, Outside andIcon. Starting in 1992 as a set designer for MTV, where his paintings were shown on air as a live performance, he then went on to do editorial illustration for clients ranging from Ray-Gun to The New York Times to Rolling Stone. Tim Hussey, a Charleston native who has spent the last twelve years working in New York as an illustrator, designer, instructor and painter, received his BFA in Illustration/Painting from Rhode Island School of Design in 1992. ![]()
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